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Yume Dojo Family Tree
First Generation:
Okinawan Te
Motobu, Choki Soke-Mabuni, Kenwa
Soke-Kuniba,Kosei Soke
Kempo
Professor William Chow
Second Generation:
Okinawan Te
Kuniba, Shogo Soke-Hayashi, Terou
Soke-Kise, Fusei Soke
O'Sensei Robert Trias
Kempo
Joe Emperado-Professor
Walter Godin
Jujutsu/Torite Jutsu
Kuniba, Shogo Soke
Third Generation:
Okinawan Te
Soke John Simmons
Kempo
Professor Kimo Ferreira
Jujutsu/Torite Jutsu
Soke John Simmons
Fourth Generation:
Shihan/Kyoshi Lou Klaff
Shihan/Renshi Scotty Klaff
Fifth Generation:
Sensei Stacey Klaff
Sensei Liz Lopez
Yume Dojo Family Tree
Seishin Kan Dojo
Motobu, Choki Soke-------Mabuni,
Kenwa Soke-------Kuniba, Kosei Soke
l l l
l l l
Motobu, Chosei
Sensei
l l
Hayashi, Terou Soke------------Kuniba,
Shogo Soke
l
O'Sensei Robert Trias
l Kise, Fisei Soke
l
l
l
l
l
l
Soke John Simmons
l
l
Professor "Kimo" Ferreira--------Yume
Dojo
Shihan Lou Klaff
Shihan Scotty Klaff
l
l
Sensei Stacey Klaff
Sensei
Liz Lopez
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The two Family Tree's
represent stages in the development and metamorphosis of
Yume Dojo.
The first family tree shows each generation and how each generation is
related to Yume Dojo. This in no way suggests
we trained with the first generation Sensei, rather how the lineage has been
passed down.
The second
Family Tree represents the development under the tutelage of
Soke John Simmons
and his senior student Shihan Mark Smith. Upon the retirement of Shihan
Smith, Soke Simmons took over the training of
Shuri Ryu Karate, Torite Jitsu
and Goshin Budo Jujutsu. Soke Simmons also introduced us to
Sanuces Ryu
Jujutsu. It was under Soke Simmons that our Family Art initially formed and was
called Yume Ha Budo. This is the beginnings of the development of
Shizenryu Jujutsu. Under Soke Simmons most attention was paid to the
development of our Karate curriculum, and Soke Simmons was the one who
allowed us to use more of the Shito Ryu, then the
Shuri Ryu of O’Sensei
Trias. Most Kata, Bunkai, and Ippon Kumite came from either Hayashi Ha Shitoryu or Kuniba Ha Shitoryu.
It was at this time we started adding the Naihanchi katas from Motoburyu
Kempo.
2005 saw the Sensei's finally get to meet Motobu,
Chosei Soke and train at a seminar with him in his family art of
Motoburyu Kempo and
Motobu
Udonde. Soke
Simmons was instrumental in allowing Yume Dojo to adapt the training to fit
the needs of the dojo and its students. This is why you will see more
Kuniba
Ha than Hayashi Ha influence in the Karate of Yume Dojo.
Through the Martial Arts Collective Society and its
annual “Gathering” we were to meet many people who would influence the
development of Shizenryu Jutsu. There were
several influences during this stage. Professor Wally Jay, Hanshi Bruce
Juchnik, Grandmaster Eugene Sedeno and several of the top Kempo and Jujutsu
Instructors who shared their knowledge which led to the creation of
Shizenryu
Jutsu. Shizenryu is a ‘collection’ of arts, and is a family
art. It is not a style, rather an interpretation of all the influences we
have had. We like to say Shizenryu is not a
"Style of Techniques"
rather a "System of Concepts and Principles". The first lineage chart is our current one, and
the second Family tree represents the lineage of Soke John Simmons and the
arts he shared with the students of Yume Dojo. These arts include Shito Ryu
Karate, Goshin Budo Jujutsu and Torite Jutsu. Soke also introduced arts Such
as Sanuces Ryu and V-Arnis Jutsu.
There
were however 3 stages, the first stage was
Aikido/Aiki Jujutsu
stage. This stage of training lasted about 8 years, and is viewed as the
initial stage of Yume Dojo. Though these arts are not practiced today, the
base of information was essential to the growth of Yume Dojo. Sensei’s who
influenced this stage of training were Satome Shihan,
Toyoda Shihan, Doran Shihan and
Palumbo Shihan.
The metamorphosis of Yume Dojo and
Shizenryu Jutsu is very much like the Shuhari Process. For years Yume Dojo was an Aiki dojo, and this base gave an
interesting approach to other arts studied. Adding Karate and
Jujutsu the
flavor changed somewhat, but the Dojo kept evolving. The introduction of
more Jujutsu, and ground work, added more flavor to the dojo. Finally adding
Hawaiian Kempo to our
Okinawan Kempo gave the art the Naturalistic approach
and Self Defense application
that one sees today. The changing of the butterfly, or the maturation of the
bird in the Shuhari process is much the same transformation Yume Dojo made
into Shizenryu Jutsu.
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